Selected Works 🤠

COVERS

Alessia Cara’s New Album and Outlook ELLE CANADA

Jessie Reyez is Unafraid to Own Her Platform ELLE CANADA

The Unassailable Empathy of Tame Impala BEATROUTE

Panther’s Forever, The Sports Issue WEST END PHOENIX

LONG(ISH)FORM

Professional Poker Has Always Been a Boys Club — Not Anymore ELLE CANADA

This Is Us: In Two Olympic Appearances, Grenada Seized the Opportunity to Define Itself — On Its Own Terms In Front of the World SPORTSNET

Something To Hold Onto WEST END PHOENIX

Live Music Could Return in 2021, But What Are We Trying To Rebuild CBC MUSIC

Ethical AI Has Not Solved Tech’s Problem With Racism ELLE CANADA

PROFILES

Artist Yumi Nu Lives in the Now ELLE CANADA

Documentary Epic Enslaved Tells a Story that’s 400 Years Overdue THE GLOBE AND MAIL

How the Fastest-Growing Female-Led Law Firm is Shaking Up Family Law CANADIAN BUSINESS

High On Fire Aren’t Resisting a SlowBurn BEATROUTE

Lust For Youth Are Not Tying to Reinvent The Wheel, They’re Investigating It BEATROUTE

Dublin Post-Punkers Fontaines D.C. Quest to Become the Biggest Band in the World BEATROUTE

Jessie Reyez talks Family, Multiculturalism and Toronto's Booming Music Scene ENROUTE

Daniel Caesar on his Grammy Nod and Sudden Rise: 'I Didn't Realize the Power That I Have' BILLBOARD

Actor and Emmy-Winning writer Lena Waithe Builds a Legacy with The Chi THE GLOBE AND MAIL

YA star Amandla Stenberg is Looking to Change the Game​ THE GLOBE AND MAIL

Pledging Disobedience to The United States oF HO99O9 GUSHER

In Across the Line, Director X Searches for Substance Behind the Style THE GLOBE AND MAIL

Gatecreeper's Guide to Building a Metal Scene in the Sesert EXCLAIM!

Allie's debut album, Nightshade, Offers a Distinctly Different Take on Toronto's Current R&B sound NOW

Divide And Dissolve are on a Mission to Decolonize Heavy Metal THE FADER

Austra And The Future Of Politics THE FADER

DIANA Is The Canadian Indie Supergroup Making Healing Pop Music THE FADER

Charlotte Day Wilson's Quiet Revolution THE FADER

MUSIC

5-0 in the 6ix: Tracing the rich musical journey of the 2021 JUNOS, and original host city, Toronto, TORONTO STAR, JUNOS 50 on CBC Music

Heavy medal: The history of honouring the “darker arts” at the JUNOS, JUNOS 50th Anniversary Blog on CBC Music

2020 was the Year Female Rappers Dominated — “Purple Carousel” by Sydanie, “Roaches Don ‘t Die” by BbyMutha NPR

The Top 20 Canadian Albums of 2020 — The Joy by Prince Josh, God Has Nothing To Do With This Leave Him Out Of It by Backxwash CBC

The Ultimate Playlist of the 2010s: A Decade of Transition FLARE

End of Year Review — Planetary Clairvoyance by Tomb Mold BEATROUTE

End of Year Review — Life Metal by Sun O))) BEATROUTE

Why You Need to Know Lido Pimienta, Who Just Won Canada’s Most Important Music Prize PITCHFORK

Bambii’s Video Mix Reclaims Dancefloors from the Male Gaze VICE

Review: Sonoran Depravation by Gatecreeper EXCLAIM

Review: The Veil of Control by Dysrhythmia EXCLAIM

Lorde’s Homemade Dynamite: Reviewed THE DOWSERS

Kendrick Lamar’s DAMN: If it makes you uneasy, it has done its job THE GLOBE AND MAIL

FILM

Akilla’s Escape is a profound, tender reworking of the crime thriller, THE GLOBE AND MAIL

Toni Morrison: The Pieces I Am explores the literary icon on her own terms, to sublime effect THE GLOBE AND MAIL

Review: Hale County This Morning, This Evening expertly visualizes the complexities of black American life THE GLOBE AND MAIL

The Sun Is Also a Star is a compelling, cheesy teen romantic comedy that’ll make you roll your eyes THE GLOBE AND MAIL

Review: Superfly succeeds in paying homage to its predecessor THE GLOBE AND MAIL

Black Radical Imagination program explores race and diversity in film THE GLOBE AND MAIL

SOCIETY AND CULTURE

Understanding Extreme Weather Can Help Soothe Out Eco-Anxiety ELLE CANADA

Istar is Born WEST END PHOENIX

Let the Games Begin: Dominoes Beating Heart WEST END PHOENIX

Unsung Hero: Cora Smith WEST END PHOENIX

Lessons in Survival WEST END PHOENIX

Play’s The Thing WEST END PHOENIX

Today’s Special: Supper By The Shore WEST END PHOENIX

1-BDRM APT., Restaurant Incl. WEST END PHOENIX

Art Institutions: Initiators and Reflectors of Neighbourhood Change MARTIN PROSPERITY INSTITUTE AND NEW YORK UNIVERSITY SCHACK INSTITUTE OF REAL ESTATE

How The DIY Scene Is Different When You're Black THE FADER

FESTIVAL COVERAGE

M for Montreal clustered the contenders for 2020s next breakout star BEATROUTE

Tucson’s HOCO is a world-class example of how radical community resilience can recast a music festival’s potential A.SIDE

Pop Montreal succeeded in curating a community-minded festival with global ambition BEATROUTE

Calgary’s Sled Island is a lesson in meaningful festival curation executed at the highest level A.SIDE

SELECTED EDITED PIECES

Rex Orange County Channels A Sensitive Sound For The Internet Age BEATROUTE

Indie Rock Chanteause Laetitia is Born Again As Vagabon, Sumiko Wilson BEATROUTE

Thundercat is looking on the bright side of life, Max Mertens BEATROUTE

Big Theif’s Adrienne Lenker on releasing two albums in six months BEATROUTE

Breaking down the politics of generating a soca hit, Sharine Taylor A.SIDE

Deconstructing the Story of Toronto’s Ever-Evolving Backing Band, Michael Rancic A.SIDE

How John Mayer taught me about the awkward reality of cultural appropriation, Natalie Harmsen A.SIDE

Jordan Peterson has no idea what he’s talking about, Alex Verman A.SIDE

PUP wrote a book in nihlism and now they’re trying to change the ending, Luke Ottenhof A.SIDE

Billie Eilish Refuses to be boxed in, Sarah MacDonald A.SIDE

We’re still waiting on hip-hop to show up for Black woman, Sharine Taylor, A.SIDE

Newfoundland’s Lawnya Vawnya is an antidote to the bigger is better mentality of major festivals, Matt Williams A.SIDE

How men like Ryan Adams teach the music industry to silence women, Sarah MacDonald A.SIDE

Arkells are on a Mission to Right Rock’s Historic Wrongs, Michael Rancic A.SIDE

Donovan Woods wants to make Americana great for everyone, Max Mohenu, A.SIDE

We need to talk about Azealia Banks, Sharine Taylor A.SIDE

Gian Ghomeshi and the unbearable ignorance of men, Sarah MacDonald A.SIDE

Halifax’s OBEY Convention is shifting the ambition of festival inclusion into radical action, Jesse Locke, A.SIDE

How do we stop black grief from becoming a commodity, Sharine Taylor A.SIDE

How one Saskatchewan Festival is Developing Lineup Diversity for the Prairies, Matt Williams A.SIDE

MORE STUFF